Within the Forge, the likeness of Logan lets out a simple truth: The way they found “fidelity” in copying humans was not by chasing their endless complexities and little details, but in being honest about their simplicity.
WESTWORLD SEASON 1 EPISODE 10 STREAM SERIES
(It’s perhaps telling of the show’s grating operatics that the person I care about most in this world was introduced just two episodes prior.) But at least the episode has a series of revelations that really do play into understanding the overall philosophy of the show. The only true highlight comes in the terrifying moment when we think Akecheta is shot, only for him to be okay the moment he crosses into the doorway. From a dramatic perspective, the sequence plays out as a less exciting, repetitive version of the battle for the Cradle. And for 50 minutes, we watch the battle that comes together as Bernard and Dolores dance about in the digital world, getting answers while the battle rages outside. It’s one that our hosts can literally run into to escape the torture of this world - Akecheta’s proverbial door, rendered physical. Far more important to the action is the digital Eden created within the Forge. Turns out the Forge holds the data collected about all the park’s guests, although even this detail ends up seeming kind of meaningless (or at least doesn’t play into the story at hand). Then we quickly reach the big climactic scene in the Valley Beyond. What Happens in Westworld’s Trippy Post-Credits Scene? She says, “I need a monster,” but she not only doesn’t, it all blows up just a scene later when he attacks her, so I really don’t get the point of that choice at all. Speaking of which, an Old William and Dolores team-up makes zero narrative sense. But these little moments go by the wayside as all of our characters start marching toward the Valley in step. There’s also the sadistic detail of the doctor casually swiping up the pain setting before digging into Maeve (along with her self-saving escape with the army of bulls!). I loved the little details of Dolores lying next to Teddy in grief, along with the mournful way she tells Old William, “I drove him away.” It’s these little interiors that remind you of the person underneath the rebel, the kind person she has had to steel herself against. Maybe the show is just like Lucille Bluth and it gets off on being withholding.Īt least the beginning showed promise. But this time, there is no real purpose in holding it back. Back in season one, the realization that William and the Man in Black were the same person was purposeful because that realization belonged to Dolores’s character arc. Most of all, when I look at the big ending reveal with Charlotte, I can’t help but wonder why the show took this path at all, because timeline four ends up feeling completely unnecessary.
WESTWORLD SEASON 1 EPISODE 10 STREAM FULL
Or perhaps it’s just hard to watch an episode that’s constantly explaining itself as it goes along, just as it’s hard to watch an episode stretched out to 90 minutes be full of relatively dead air.Įven the ending series of vignettes play out with little dramatic purpose, an inhuman series of speeches where characters seem to lecture one another rather than discuss or fight. Perhaps it’s that the episode has no real dramatic pacing, rhythm, or crescendo, feeling hurried and yet static all at once, especially as it goes through a lot of purposeless cross-cutting.
What should feel like a cathartic release, or a dagger to the chest, instead largely feels like a dreamy act of treading water - one where I couldn’t help but find myself feeling disaffected by the majority of it. Not just in terms of certain logical points (which we’ll get into), but I’m wondering about the overall storytelling approach. But we have come to the end and I have to admit that this finale is not only my least favorite episode since the season-two premiere, but also that I’m a bit perplexed. After a tepid start, we’ve experienced a lot of peaks and valleys and the show was often at its best when it pulled away from the guessing games and layered timelines and told contained, humane stories. The first season of Westworld held a somewhat common dramatic shape: After a raucous start, it slowly devolved into some narrative wheel-spinning before it came roaring back to life with some late-game fireworks.
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